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Common Loon

His drumming continues to be praised by critics and musicians, and he was posthumously inducted into the Modern Drummer Hall of Fame in 1982, becoming the second rock drummer to be chosen.

Keith John Moon (23 August 1946 – 7 September 1978) was an English musician who was the drummer for the rock band the Who. Regarded as one of the greatest drummers in the history of rock music, he was noted for his unique style of playing and his eccentric, self-destructive behaviour. Moon grew up in Wembley and took up the drums during the early 1960s. After playing with a local band, the Beachcombers, he joined the Who in 1964 before they recorded their first single. Moon was recognised for his drumming style, which emphasised tom-toms, cymbal crashes, and drum fills. Throughout his tenure with the Who, his drum kit steadily grew in size, and (along with Ginger Baker) he has been credited as one of the earliest rock drummers to regularly employ double bass drums in his setup.

Scientific Name
Gavia immer
Primary Habitat
Freshwater lakes and coastal oceans
Diet
Fish, aquatic insects, crustaceans
Lifespan
Up to 30 years in the wild
Conservation Status
Least Concern (IUCN)

Verified Timeline

194619611962196419761978

Lore & Background

Moon occasionally collaborated with other musicians and later appeared in films, but considered playing in the Who his primary occupation, and remained a member of the band until his death. In addition to his talent as a drummer, Moon developed a reputation for smashing his kit on stage and destroying hotel rooms on tour. He was fascinated with blowing up toilets with cherry bombs or dynamite, and destroying television sets. Moon also enjoyed touring and socialising, and became bored and restless when the Who were inactive. His 21st birthday party in Flint, Michigan, has been cited as a notorious example of decadent behaviour by rock groups. Moon suffered a number of setbacks during the 1970s, most notably the accidental death of chauffeur Neil Boland and the breakdown of his marriage. He suffered from alcoholism and acquired a reputation for decadence and dark humour; his nickname was "Moon the Loon". While touring with the Who, on several occasions he passed out on stage and was hospitalised. By the time of their final tour with him in 1976, and particularly during production of the studio album Who Are You (1978) and the concert film The Kids Are Alright, his deterioration was evident.

In Their Own Story

A commonly cited story of how Moon joined the Who is that he appeared at a show shortly after Sandom's departure, where a session drummer was used. Dressed in ginger clothes and with his hair dyed ginger (future bandmate Pete Townshend later described him as a "ginger vision"), he claimed to his would-be bandmates that he could play better; he played in the set's second half, nearly demolishing the drum kit in the process. As Moon later recounted: "[T]hey said go ahead, and I got behind this other guy's drums and did one song—'Road Runner.' I'd several drinks to get me courage up and when I got onstage I went arrgggGhhhh on the drums, broke the bass drum pedal and two skins, and got off. I figured that was it. I was scared to death. Afterwards I was sitting at the bar and Pete came over. He said: 'You ... come 'ere.' I said, mild as you please: 'Yes, yes?' And Roger, who was the spokesman then, said: 'What are you doing next Monday?' I said: 'Nothing.' I was working during the day, selling plaster. He said: 'You'll have to give up work ... there's this gig on Monday. If you want to come, we'll pick you up in the van.' I said: 'Right.' And that was it." Moon later claimed that he was never formally invited to join the Who permanently; when Ringo Starr asked how he had joined the band, he said he had "just been filling in for the last fifteen years".

Reader's Guide

Moon grew up in Wembley and took up the drums during the early 1960s. He joined his local Sea Cadet Corps band at the age of twelve on the bugle, but found the instrument too difficult to learn and took up drums instead. He was interested in practical jokes and home science kits, with a particular fondness for explosions. On his way home from school, Moon would often go to Macari's Musical Exchange at 46b Ealing Road to practice on the drums there, learning his basic skills on the instrument. He left school around Easter 1961, at age 14. Moon then enrolled at Harrow Technical College; this led to a job as a radio repairman, enabling him to buy his first drum kit. Moon took lessons from one of the loudest contemporary drummers, Screaming Lord Sutch's Carlo Little, at ten shillings per lesson. His early style was influenced by jazz, American surf music and rhythm and blues, exemplified by noted Los Angeles studio drummer Hal Blaine. His favourite musicians were jazz artists, particularly Gene Krupa (whose flamboyant style he subsequently copied). He also admired Elvis Presley's original drummer DJ Fontana, The Shadows' original drummer Tony Meehan and the Pretty Things' Viv Prince. Moon also enjoyed singing, and had a particular interest in Motown. Moon idolised the Beach Boys; Roger Daltrey later said that, given the opportunity, Moon would have left to play for the California band even at the peak of the Who's fame. During this time Moon joined his first serious band, the Escorts, replacing his best friend Gerry Evans. In December 1962 he joined the Beachcombers, a semi-professional London cover band playing hits by groups such as The Shadows. During his time in the group Moon incorporated theatrical tricks into his act, including "shooting" the group's lead singer with a starter pistol. The Beachcombers all had day jobs; Moon, who worked in the sales department at British Gypsum, had the keenest interest in turning professional. In April 1964, aged 17, he auditioned for the Who as a replacement for Doug Sandom. The Beachcombers continued as a local cover band after his departure.

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